Social Media & Television

Maybe Television isn’t dead.

Maybe Liz Murdoch was 110% spot on when she said at NATPE at the top of the year that social media is the key to TV’s success.

There are so many examples reflecting how these two mediums are converging and quite frankly – I LOVE IT!!!

There’s MTV’s first ever TJ – Twitter Jockey which was a show on MTV were @gabifresh won the new job and $100,000.00 salary. $100,000 to Tweet?   Anyways.

Then there’s Comedy Central’s success of Tosh 2.0 where comedian Daniel Tosh stands in front of a green screen and deconstructs the latest nuttiness videos on the Internet. This is a hit for Comedy Central because it’s uber cheap to shoot (I mean – uber cheap) and is perfectly suited for the male 18-34 demo.  The show is most watched program on Wednesday nights within that age group.

The online media-tv hybrid model has been such a success for Comedy Central that they are going to take a crack at it with Dwyanebook – a show that is entirely about social media and adopts the same programming model as Tosh 2.0.

What I find the most fascinating is how computer usage goes up during certain TV programs – especially major hit shows and tentpole specials such as the Super Bowl and Academy AwardsData shows people are going on to their computers to chat and engage with other content while watching these programs. There was an increase in computer usage from 2009 in 2010 during both the Super Bowl and Academy Awards.  Thus, this is creating a different type of water cooler effect – one that doesn’t have to wait until the next day at the office but happens live – on the moment – as the program is happening.

This presents such an interesting opportunity for marketers.  As this 360i blog posting mentioned:

This means marketers can reach consumers through two separate media simultaneously, creating a richer and deeper single brand experience.  Brands like MTV, Bravo and MLB are leading the way in this new era of television – and you can be sure others will soon follow suit should the opportunities be right for their programming.

Interesting times indeed.  Endless opportunities to change the TV format model and make the television experience that more engaging, creative and quite frankly – new.

@MitchKapler

Interesting Things – 8.2

Mobile Fish Farms

A new generation of fishers and scientists has been developing a new era of sustainable green fish farming with the mobile fish farms.  These massive spherical cages contain the fish in the open ocean but what makes them unique is they’re designed to flow with the ocean currents, keeping them from causing damage by stagnating in one area.  The cages also have computer controlled propellers to help direct the cage if it gets too near reefs, or currents are not enough.

http://www.youtube.com/watch?v=DCz1KNBI60I

Robin Rhode

There is something irresistibly playful and mischievous about Robin Rhode’s artwork due to this youthful interactions with each piece. By becoming part of his art, the South African artist brings it to a whole new level. Based in Berlin, Germany, Robin Rhode pushes the boundaries of stationary art, bringing life to an otherwise static creation.

http://www.perryrubenstein.com/artists/robin-rhode/

Tattoo Crowdsourcing

Caisa Ederyd crowdsourced her first tattoo, and allowed complete strangers to design and vote on a tattoo to cover the left side of her rib cage. The Wellcome Collection provided sponsorship as part of their Skin exhibition. She put a lot of energy into describing what she wanted from the design on Facebook, Twitter and on her own blog. In the end, she got a “reworked” version of a design that she chose herself. The design chosen by the community was totally different, and didn’t feature any pigs.

http://www.newscientist.com

Aston Martin Resort

MVRDV plans to build a luxury holiday resort that seems to have pulled up a lush green hilltop like a blanket and hidden itself under it. To be located in Montenegro and designed for Aston Martin, the grass-clad hotel seems to blend in seamlessly with its surroundings. Dubbed “Galije” and located on a parcel of untouched coastline land, the resort is envisioned as a way to combine exclusivity with a responsible, sustainable embedding of the structure in its surrounding landscape.

http://inhabitat.com/2010/07/20/aston-martin-resort-disguised-as-a-giant-mountain-of-lush-green/

Ready, Set, Market!

A documentary leverages emerging digital tools and marketing techniques to get people’s butts into the seats

Ready, Set, Bag! is a new documentary that has leveraged social media to promote the film’s release in local theaters as well as take advantage of cause marketing. The digital savvy filmmakers partnered up with Groupon, a website that enables businesses to offer great deals to people in their communities.  Through Groupon the filmmakers made pacts with local theaters, $1 of each ticket sold will go to food banks near the theater to help feed the community.  So far 100% of theaters have agreed to carry the film. Furthermore, the filmmakers are playing the trailer on Blip.tv (see below) and all advertising revenue is going to support the charity of Feeding America.

This recent project highlights various trends happening in filmmaking and in business in general.  Filmmakers are getting savvier when it comes to leveraging online to support their projects.  For example, Kickstarter, an online site that enables you to raise funds for projects is turning into a go-to for filmmakers who need to raise money to fund their films.

Furthermore, filmmakers keep exploring new means of distribution, for example this year Sundance enabled filmmakers to distribute the film through VOD services and the internet.

Lastly, the trend of embedding the pay-it-forward element into you’re your business model is really hot right now.  Expert calls this cause marketing and it looks to be a win-win for everyone involved.

In an era of change, new distribution models and business plans are emerging.  Sure, Ready, Set, Bag! might not win an Academy Award but you have to tip your hat to the producers for leveraging all the tools available in order to, as they like to say in Hollywood, get people’s butts into the seats.

@MitchKapler

NYC Digital Chief Officer

WHY THIS IS IMPORTANT –

Now here is a job with real reach.  Bloomberg has been at the forefront of turning NYC into the leader in digital data and harnessing new technologies.  This tech focus has helped foster an improved metric system for the police as well as help guide the city into thought provoking policies such as the Times Square pedestrian initiative.  I can only imagine how well connected the candidates for this position will be.   What an amazing job!  NYC is like a laboratory for digital initiatives given the rat maze nature of the landscape and participants.  And yet there is so much more that can be done – imagine a 311 video helpline, VOD business initiatives, picture library to chronicle what infrastructure elements need repairing.  So many ideas and one fun place to implement.

Marketing for Docs

WHY THIS IS IMPORTANT -

Docs are always fascinating because they can bring attention to an issue or story that has been unrecognized.  It’s truly an art form that can create change.  From INCONVENIENT TRUTH to THE COVE – docs that cross over into popular culture become massive hits and can cause policy change (TRUTH) or even fishing habits (COVE).  Kudos to The Works – a doc distribution company that prides itself on finding those gems that might play to a four quadrant audience.  There seems to be a pretty solid formula for making docs successful commercially.  The goal is to eventize the docs – If it’s an issue doc then you need a built in network of support – that can come from a social networking support or celebrity support.  As The Works preaches – “Distributors are not just buying a film, but buying a support structure.”  I also like the idea of gathering an audience before the doc is released (the support system) and also treating theatrical not as the end all be all but rather as one part of a strategy to build an aggregate audience.  So many interesting ideas in this article.  Take a read.

Stories From the Masses

WHY THIS IS IMPORTANT –

I am gonna get on my soap box for a hot minute.  There have been several projects revolving around crowd sourcing the ideation process for story.  Where the audience can help drive the narrative.  I think this is a gimmick worth passing on.  There is something intrinsic about the creator/audience dynamic that is lost when everyone is invited into the process.  Not to mention the idea of an auteur of a vision that is singular.   Now, some will say that there is a lot of crap on the market now and maybe the audience can do better.  While there is a lot of crap in the marketplace there has also never before been as much amazing material as well.  I will rely on an old adage from another field to sum it up best– ‘too many cooks in the kitchen’ equals trouble.

Dennis Crowley Is A Brand

WHY THIS IS IMPORTANT -

As one of Silicon Valley’s most famous entrepreneurs, Dennis Crowley also has made his online brand presence transparent by using the technology that he fosters.  As founder of Foursquare, Crowley regularly gives glimpses into his life and all the interesting people and places that it takes him.  More and more – you are your company.   And when your company is on top like Mr. Crowley – well then you are your own Where’s Waldo.

Big Hops

WHY THIS IS IMPORTANT -

Never mind the feat or the impressive vertical leap. Let’s look at the timeline. 2 days ago in a gym in Arkansas a 16 year old kid did something cool. There is no such thing as local anymore. Local just means – not big/crazy/superlative enough for national. If something is really good it cannot stay hidden. If you write an amazing pop song, and emailed it to your 100 closest friends. If it was really good, and I mean really good – you would be discovered within the week. This begs the questions – how do we handle development? Many people and ideas need development and time and refinement and trial and error. If we take our most promising and thrust them into the spotlight – it won’t work. I have no answers. Get your reps, don’t be afraid to fail and quality rises to the top.

Happy April Fools Day!

Thrilling Video

WHY THIS IS IMPORTANT -

Thrillist.com brings great content to a desirable demographic (young guys)but content companies can no longer be in one medium.  Here they are developing a visual style to their editorial content.  Video is not an option anymore – if you want to be relevant, you need to have at least the option of video.  The hardest part for places unaccustomed to making video is changing mediums and creating something cool.  The expectation for someone who has dominated one mode of communication is much higher.  Thrillist.com cannot afford to put out sub standard videos because they already have a great written content.  Excited to see how these guys manage that transition.

Content Factory

WHY THIS IS IMPORTANT -

Demand Media has found a system and are exploiting it.  The reason everyone continues to say that ‘Content is king’ is because there are so many thrones these days.  24/7 news cycle needs content and it needs it fast.  A well thought out article, written by someone with detail, scholarship and elegant prose – cannot sustain itself on a factory styled system.

Furthermore,  outlets refuse to pay for that quality.  The price of valuable journalism is going down and that is forcing writers into other jobs and while we still get our quantity we lose our quality.  I admire Demand Media for feeding the system and using its data analytics but I still buy magazines off the rack sometimes to support a solid 12 page feature on something interesting.  Good writing takes time – be patient.  Go read the Ebert article posted several days ago and you will agree.